Meet Jessica Jones, a private investigator and retired superhero in Hell's Kitchen, Manhattan. A wealthy woman, Amber Randall, hires Jessica to investigate her twin sixteen-year-olds, Lark and Fox, who have changed unnaturally after spending the summer with their British father. They now have perfect skin and lack their usual habits. Jessica travels to Essex, meeting Belle, an isolated teenager, and her guardian Debra. Jessica discovers that evil geniuses, using technology to "improve" the world, are behind the changes in Lark and Fox. Can Jessica stop them from harming a generation of young people? Gripping and imaginative.
ONE
JESSICA TURNS ONTO HER SIDE and blinks into the darkness. The drapes are wide open, but the sky outside is so dark that they may as well be shut. It is not nighttime, but a storm is brewing over Hell’s Kitchen, black and bruised and heavy.
The clock by her bed tells her that it is one minute past nine.
Her head tells her that she had her last drink about four hours ago. She drags herself from her bed and listens to the first distant rumbles of thunder, coming from somewhere far away from the city.
Coffee. Black, strong, burned. A bowl of Cheerios with ice-cold milk from the fridge. The storm moves closer, the sky turns electric-white, and Jessica jumps — slopping milk from the bowl onto the floor — as a clap of thunder splits the universe in half. For a moment she wonders about a thunderstorm this early in the day, but then she thinks, why not? The whole world has felt so dramatic lately, people seem so riled up all the time, always looking for fights and division. Things move so fast, theories come and go, superstars are born and get canceled, technology, fashions, politics all spin in dizzying, insane cycles, and meanwhile the planet is set to burn to cinders, and, yes, why not a brooding, sinister morning storm over Hell’s Kitchen on a cool October morning, why not?
Her neighbor Julius just adopted a cat, then three days later had to go away to visit a sick relative. She owed Julius a favor and said she’d feed it for him. It’s named Speckles.
She has a 9:45 in her calendar and it is now 9:20. She needs a shower and another coffee, but first she thinks she’ll go down the hall and deal with Speckles.
She grabs the key to Julius’s apartment and walks barefoot down the hall, leaving her door on the latch behind her. She wears a T-shirt that still smells of last night’s chicken wings where she’d rubbed her greasy fingertips, but also smells of Luke’s laundry detergent. Luke is her not-quite-boyfriend. Actually, her not-at-all-boyfriend, but boyfriend enough for her to have ended up at some point or other with one of his T-shirts in her apartment. And he really does do magic things with his laundry, she doesn’t know what or how, but everything he wears smells so good.
Julius has painted the inside of his apartment into something decent; the walls are midnight blue and velvet gray. He favors mid-century furniture, teak and oak and pointy legs. He likes table lamps. They are everywhere, six in the living room alone. There is a tall, thin clock against a wall that tick-tocks self-importantly as Jessica walks toward the kitchen, and then there is another flash-bang of whiteness and she counts to twelve, and as the next thunderstrike arrives as loud as a dropped saucepan on a stone floor, she enters the kitchen to find the cat sitting terrified in a corner, all bulging eyes and flat ears. She gets closer and can see that Speckles is quivering, vibrating, that Speckles is overloaded with adrenaline.
Jessica doesn’t know what to make of cats. She feels she should like them and certainly she feels bad right now for this one in its current state of mortal terror, but she doesn’t know how to approach them, touch them, make them like you. She puts out a hand and says, “Listen. It’s okay, all right? This is just some crazy shit that the people up there do from time to time, to remind us how small and pointless we all are. Just hang tight, kitty. Hang tight.”
Speckles squeezes himself farther into the corner and Jessica reaches into the cupboard above him for the bag of cat food. Then she leans down to lift the bowl from the floor, and as she does so another thunderclap hits and the cat startles and dashes, and Jessica turns and remembers that she left Julius’s front door open.
“Shit!” She drops the bowl on the kitchen counter. “Shit!” She chases the cat through the door and out into the hallway. “Speckles!” she calls out louder than she’d like to. “Speckles! Stop!”
But he doesn’t stop, he thinks he can outrun the thunder and he helter-skelters away from her, his paws skidding over the shiny marble flooring, and suddenly he is at the other side of the building, the bit that Jessica never sees, where the doors are the same as the doors on her side of the building but are so alien to her that they may as well be in another country. And down there is a window and it is open and who knows where it leads. Jessica has never seen the window before and she lets out a small husk of a scream, her hands clamped to her face, as she sees Speckles leap six feet and disappear into the dark, granite sky filled with clouds like rolling boulders.
“A woman with a baby in a stroller eyes her up and down three times, a glint of disgust followed quickly by wry amusement.”
TWO
THE CAT HAS RUN DOWN two flights of the fire escape and now sits on a narrow stone ledge that joins Jessica’s building to the flat roof of the next building along. On either side of the stone ledge is oblivion. Jessica sticks her head through the window and assesses the situation. If the cat doesn’t want to die, it needs to jump back onto the fire escape. But the cat is too scared to work this out for itself and sits in stasis.
Jessica sighs. It’s too early for this bullshit. All she has is Cheerios and coffee to work with. But she cannot tell Julius that she let his cat die, so she allows the sickening transfusion to occur, the blood, the water, the mucus in her body to warp and distort, to become something closer to diesel and paraffin, to lighter fuel and tarmac, and she can almost smell it, taste it at the back of her throat. It makes her want to gag as she stands out on the windowsill, high above the streets below, but she swallows it down, crouches slightly, her eyes shut hard—
... but
... the clouds split apart, and the rain falls hard and quick, and the cat changes its stance, sashays back toward Jessica’s building, its tail a spiky brush of panic and fury, jumps onto the fire escape and then straight into Jessica’s arms.
Carrying a wet, freaked-out cat through a window and down a hallway is not easy. It scratches her arms, it scratches her face. A door opens as she passes by with the cat rolling and squirming in her arms. A woman with a baby in a stroller eyes her up and down three times, a glint of disgust followed quickly by wry amusement. The baby stares at her and the cat with wide eyes. Jessica keeps walking.
As she turns the corner toward Julius’s apartment, she stops.
A small girl stands by his open door. She has dark eyes, and her hair is tied in puffballs on either side of her head. She wears a metallic fur-trimmed coat and stripy tights. Jessica narrows her eyes at the girl. “You okay, little girl?”
The girl nods, her gaze held firmly on Jessica, oblivious to the angry wet cat in her arms.
“Where’s your mom?”
The girl stares. She says nothing.
The sky cracks with thunder again and hard rain lands like thrown gravel against the walls of the building. The cat jumps out of her arms and runs into the apartment.
Jessica feels something burn her from the inside out. Her head rolls back, and she closes her eyes. When she opens them again, the girl is gone.
Extracted from Breaking the Dark: A Jessica Jones Marvel Crime Novel by Lisa Jewell, out now.
YOU MAY ALSO ENJOY
Extract: The Book of Doors by Gareth Brown